Can I Kiss You? - The Billionaire Buried an Empty Coffin for Ten Years, Until a Three-Year-Old Asked to Kiss Him and Handed Him His Daughter's Hospital Wristband

Billionaire Cameron Hale has lived for ten years in a silent Manhattan penthouse, grieving the wife he lost in a car crash and the four-year-old daughter he was told died after surgery. Then a three-year-old girl walks into his home, studies the photograph on his mantel, and asks the question that breaks the silence open: "Can I kiss you?" What she is carrying in her pocket will undo everything he thought he knew.

Chapter 29

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Chapter 29: The Names She Chose

She was sixteen when she took Sophie back, and she did it the way she did everything that mattered: privately, without asking permission, and then as a piece of information delivered after the fact.

"You can call me Sophie," she said, one ordinary evening, not looking up from what she was doing. "Sometimes. At home. I tried it out and it fits. Don't make it a thing."

"It is noted," Cameron said, "with no thing being made."

At school she stayed Anna Brooks for a while longer. Anna Brooks had friends and a locker and a history that fit in a sentence. She had earned that girl, and she was not going to be rushed out of her by anyone's relief, including her father's. He understood it better than she expected him to. He had been Cameron Hale in public for ten years while somebody else entirely sat up at night in a quiet penthouse; he knew about the name you work under and the name you come home to.

In the end she assembled herself out of all of it, the way she had assembled everything else in her life, deliberately. Anna Sophie Hale-Brooks. Each name kept for somebody. Anna for the girl who had survived St. Agnes and the blue room and being nobody's officially documented daughter, and for Judith, who had let that girl decide. Sophie for the four-year-old on the bicycle, who counted. Hale for her father and for her mother's line, the name that had been used to erase her and that she took back on her own terms. Brooks for Naomi, who had kept a promise to a stranger's child for seven years, and for the household that had hidden her in plain sight in a blue room in Queens.

Cameron never once argued. People asked him, sometimes, assuming the Brooks at least would sting, assuming a Hale would want the clean line of his own name on his recovered heir. He told them the truth, which was that his daughter's name was the first thing in a decade that was entirely hers, and a man would have to be out of his mind, or Henry Hale, to put a hand on it.

At eighteen came the dormitory war, and he lost it in a single sentence.

His case was strong and he made it thoroughly. He had found an apartment twelve minutes from the university. A kitchen, so she would eat properly. Security, so he would sleep at night. A doorman named, he was fairly sure, Walter, in case of anything. He presented it at dinner with the confidence of a man who has closed negotiations across three continents.

Anna listened to all of it. "The dorm has people," she said.

"People are available elsewhere. People can be visited."

"Dad. The dorm has people my age who are also bad at laundry. That's the whole point of it. That's literally the education."

He appealed, in desperation, to the room. "Sofie. Back me up."

Sofie, seven years old and eating his pasta, considered the question with her whole face. "Anna should live with the people," she ruled. "You have Margaret. You have Mommy. You'll be fine. You're being a baby."

Outvoted in his own home, two to one, in under a minute. He helped carry the boxes into a dorm room roughly the size of his bathroom's opinion of itself, and stood among the extension cords and other people's daughters and their fathers, all of them doing the same brave nodding, and he did the brave nodding, and drove home, and called her that night anyway and pretended it was about a sweater.

She studied child psychology. Not business, not law, not the gleaming machinery of Hale Capital, though everyone waited for him to push and he never did, not once, not even joking, because it was not a joke. She wanted to work with children who had been moved around by adults' decisions, children recovering from trauma and broken attachment, children who had been protected the way a safe protects money. "Adults mistake protecting children for controlling their lives," she said in an interview she gave at twenty, "and they call the control love because the child isn't in the room to correct them. The child is always in the room. The child grows up in the room. Eventually the child says so."

Cameron read the interview at his desk in the middle of a working morning and cried at it, openly, with the door open, not caring at all who saw. His assistant saw. Margaret saw and brought tea and left without a word, because some things the rebuilt trust handled by silence and some by noise and she had learned the difference.

He was not grieving when he cried. That was the strange part, the part he would have failed to explain to the man he had been ten years before. He was proud in a way that had nowhere to go, proud of a woman he had not raised past the age of four, proud as a spectator, which is a humbler thing than a father's usual pride and felt, somehow, larger.

Chapter 30: Being Lost Is Not the Same as Being Gone

Eleven years after a small girl walked into a silent penthouse, the penthouse was not silent, and had not been for a long time.

Anna was twenty-five. She had her own apartment and her own caseload of other people's children and her father's habit of checking the traffic before journeys nobody had asked her to check it for. She came through his door that evening without knocking, the way she had eventually started doing, with a bag of something Judith had sent and a complaint already in progress.

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Can I Kiss You? - The Billionaire Buried an Empty Coffin for Ten Years, Until a Three-Year-Old Asked to Kiss Him and Handed Him His Daughter's Hospital Wristband

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