The storm had almost erased her from the prairie

Chapter 3

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watching her go like a boy memorizing a story he would be required,

someday, to tell exactly right.

The storm did not come up the way weather comes up in country that has

hills to warn it. On the plains it assembled. All morning it had been building

a wall in the west, blue-black and flat-bottomed, higher than anything ought

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to be able to stand, and the air under it had the held-breath stillness that

makes cattle bunch and birds go silent, and when Willa was two miles out of

Alder Creek, the wall arrived at the speed of a galloping horse and the world

changed so completely that she understood, in her body before her mind,

why the old freighters called such a storm a prairie eraser. The wind did not

rise. It struck. One moment there was a road, a mare under her, a horizon.

The next there was only force, and the rain coming sideways through it hard

enough to sting through wool, and hail mixed in it, gravel-sized, thrown

rather than fallen, so that the sound on her hat brim and on the mare's neck

was a sound like the sky tearing along a seam. Button screamed — she had

never heard the mare scream — and tried to turn her tail to it, and Willa let

her, and for a while there was nothing to do but be a passenger on terror,

crouched low over the saddle horn with her face against the wet neck, one

hand fisted in the mane, the other pressed flat over the oilskin bundle at her

ribs, feeling the mare run by instinct down a grade Willa could no longer see.

Afterwards she could not have said how far they went or in what direction.

The storm took the landmarks in order: first the road, which was simply not

there when she looked, the sheeting water having made the whole face of the

prairie into one shining, sliding skin; then the fence line, vanished in a

curtain of rain; then the sun, then the west, then north and south themselves,

until there was nothing left in the world but up, where the rain came from,

and down, where the water was going. She thought: I will keep the wind on

my left cheek. That is west. I will keep it there. It was the kind of thought her

father respected, a surveyor's thought, a chainman's thought — hold your line

by whatever the country gives you — and she held it for as long as the wind

consented to come from one quarter, which was perhaps ten minutes, and

then the storm, as plains storms do, began to turn on itself, and the wind

came at her cheek, then at her back, then full in her face with a gust that took

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the breath out of her body in a single theft, and she understood that she was

lost in the true and ancient sense: surrendered to a landscape that had

withdrawn every offer of direction it had ever made.

The wash took the mare. She felt the ground go first — a softening, a giving,

the sound changing under the hooves to a deep, drinking sound — and

Button plunged to her knees in the brown rush of water pouring down a draw

that had been dry as a road an hour before. Willa went over the shoulder and

into it. The cold was the first shock and the force was the second: the water

was only at her thighs but it leaned on her like a man shoving, and it carried

her six feet before she caught at the saddle as it came up, thrashing, beside

her. She got one hand on the stirrup leather and the mare, maddened, already

climbing the far bank in great lunging heaves of mud, dragged her up out of

the wash by main strength and then — the girth, Beck's twice-buckled girth,

holding a moment and then letting go all at once as the saddle slid sideways

under her weight — was free, and gone, up the bank and away into the murk

at a dead run, and Willa was sitting in the mud of the bank with her dress

plastered to her and her boots full of creek and her hat gone, watching the

place where her horse had been as if the rain might relent and give it back.

It did not relent. She got up because getting up was the only verb left to her.

Her first act, before she even wiped the water from her eyes, was to open the

front of her dress with numb fingers and find the oilskin. It was there. The

wrap was wet through on its outer fold and dry within, and she laughed then,

one breath of it, alone in the drowned world, because her father had wrapped

his work for exactly this weather and some part of him had known it. She

tied the bundle tighter, working by feel, and took stock of what she was: a

woman afoot, in May, in a storm that had already produced a flash flood in a

dry draw, at least five miles and possibly nine from Alder Creek, with the

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temperature falling the way it falls behind a plains front, all at once and

without apology. She knew what cold water and wind did to a body. She had

grown up on the freighters' stories: it did not kill by drama. It killed by

arithmetic, a subtraction performed slowly on the fingers first, then the

thoughts.

So she kept her thoughts the way her father had taught her to keep a chain:

taut, and counted, and attended to one link at a time. The fence line. There

had been a fence line east of the wash — she had blundered through it with

the mare, which meant it crossed the draw, which meant if she could find the

far bank and follow the slope up, the posts would come. She found the first

post with her shin. It knocked the breath out of her and she blessed it aloud,

and after that she traveled hand over hand along the wire, post to post,

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The storm had almost erased her from the prairie

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