The Woman Who Chose Death Before Surrender

Chapter 1

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The light came into Cañon Seco the way it always did, thin and amber at

first, spilling over the eastern rim and sliding down the far wall in slow bands

until it reached the canyon floor and found Silas Wren already awake and

already moving. He had been up before the light for years. Sleep was

something he did the way a man holds his breath underwater — in short,

necessary spans, and never with any comfort.

He built the fire with last night's coals, set the coffee pot on the grate, and

stood in the doorway of his cabin while it boiled, watching the dun gelding

crop at the sparse grass near the corral. Slate lifted his head when Silas

whistled, ears forward, and Silas nodded at him the way a man nods at the

one creature whose company he has never had to apologize for.

The coffee came up bitter. It was always bitter. Silas had long ago stopped

measuring and drank it black out of a tin cup with a dented rim. On the shelf

above the stove sat one clean cup, porcelain, white with a blue stripe, washed

and set there the week Martha died and never used since. He dusted it in

spring. That was all.

He drank the coffee standing up, the way he did everything in the cabin —

quickly, as if lingering might invite company, even his own. The cabin was

one room and a lean-to, chinked logs, a roof he'd re-shingled three summers

back and needed to do again. Martha's trunk sat at the foot of the bunk,

latched. He hadn't opened it in eight years. He dusted it in spring, same as the

cup.

The porcelain cup caught the morning light through the doorway. White with

a blue stripe. Martha had bought it in Juniper Flats the spring before Lucy

was born, carried it home wrapped in her shawl like it was made of eggshell,

and declared that a house wasn't a house until something in it was too fine for

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everyday. Then she'd used it every single day, because Martha had never

been able to keep a good thing saved. After the flood, Silas had found it on

the cabin's one shelf, unbroken — the water having taken everything else

worth taking and left this one small, useless, perfect thing. He washed it. He

set it down. He had never picked it up again.

He wasn't a hermit by philosophy. He was a hermit by attrition. He ran

fourteen head of cattle on the thin graze at the canyon mouth — his own

brand, a W with a bar through it, registered back when he'd thought the

future was a thing a man could file papers on. He did fence work for the

Barlow place and the Jensens when they asked, took his pay in coin or in

kind, and spent as little of it as possible in Juniper Flats, where people knew

his story and handled him the way you handle a man carrying something

breakable. The Jensens' boy had asked him once, two winters back, if he was

ever going to get married again, with the terrible directness of the young, and

Silas had said, "Son, I'm still married," and the boy had nodded like that

made sense, and Silas had walked home faster than usual.

Slate was waiting at the corral gate, dun coat dusty gold in the early light,

big-boned and calm as a church. Seventeen hands of steady. Silas had bought

him off a retiring stage driver six years ago, and the gelding had never once

surprised him, which was the highest praise Silas had for any living thing.

He rode the fence line that morning because it was Thursday and Thursdays

he rode the fence line, and if there was no particular reason for the schedule

anymore, there was no particular reason to abandon it either. Eight years of

habit had worn a groove in him deeper than any canyon, and he followed it

the way water follows a wash — not out of hope, but out of the shape of the

land.

The country was hard and beautiful in the way of things that ask nothing of a

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man. Red rock rose on both sides of the canyon, banded like old sediment in

a dry riverbed, and the sky above it was a blue so deep it looked poured.

Juniper and piñon dotted the slopes. A hawk turned slow circles over the rim.

Silas checked wire, tightened a staple, spliced a break where an elk had gone

through in the night, and thought about nothing with the practiced discipline

of a man who had spent eight years learning how.

He was coming back along the north side, near the mouth of a side draw he

didn't often ride, when he heard the sound.

It was not an animal's cry. He knew animal cries the way he knew his own

hands. This was a woman's voice, low and furious and steady, cursing in two

languages — one of them his, one of them not — with the rhythmic patience

of someone who has been at it a while and intends to keep at it until

something changes or she dies.

Silas reined up. Slate's ears swiveled. The voice came again from behind a

stand of juniper, and this time Silas caught the metallic clink underneath the

words, and his stomach dropped in a way it hadn't in years.

He dismounted with his rifle in his hand and walked in slow, quiet.

She was caught in a steel leg-hold trap.

It was chained to the bole of a juniper, the chain short, and the trap itself sat

square across a foot trail — a human foot trail, worn narrow between the

rocks, the kind of path no deer and no elk would ever use. The jaws had her

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The Woman Who Chose Death Before Surrender

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