The Woman Who Chose Death Before Surrender

Chapter 22

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medicine pouch she produced a tin of salve, and he spread it gently while she

watched his face instead of her hand, the way people do when they're

deciding whether to trust the gentleness.

They spent the night in the cabin with the smell of smoke in everything.

Dokan took first watch on the porch with his rifle, motionless as the rock

he'd been raised among. Silas sat at the table and checked the copied pages

by candlelight, smoothing each one flat, reading the names again as if

repetition could make them less true. In her corner, Saya slept with her

crutch beside her and her good hand curled around the medicine pouch, and

her breathing β€” deep, even, unafraid β€” finally pulled him under too.

At false dawn he woke to find her already up, the horses saddled, her face set

like a stone in a wall.

Silas looked at the ruined barn β€” two months of work, the winter hay, his

spare harness, the loft where he'd slept his first summer in this country β€”

and felt the grief move through him and come out the other side as something

harder. Behind him, Dokan was already checking the horses' legs with the

thoroughness of a man preparing for a long ride.

"No more waiting," Silas said.

"No," Saya agreed. "No more waiting."

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They rode for Juniper Flats at false dawn, all three of them β€” Saya on the

paint mare with her crutch tied alongside the saddle, her leg holding, her

medicine pouch thumping against her hip with every stride. Silas had argued.

He had argued strenuously, and at length, and with what he'd felt were

excellent points about rest and healing and the stupidity of riding thirty miles

on a half-mended leg.

Saya had listened to all of it, and then she had said, "It is my evidence too."

That had been the end of the arguing.

The trail west ran through country Silas knew the way he knew his own

hands β€” every water hole, every grade, every place a wagon could mire in

spring. They made good time, changing the lead, resting the horses at noon in

the shade of a sandstone overhang. Saya's face was pale by midafternoon but

her jaw was set, and when Silas offered to stop she looked at him as if he'd

suggested they turn around and go home.

"Your leg," he said quietly, riding close.

"My leg is my concern."

"It is also, I notice, swelling."

She glanced down, annoyed to find he was right β€” the ankle above the

bandage had puffed. From her pouch she took dried willow bark and chewed

it with an expression of profound displeasure, the way a person does

something necessary and resents the necessity.

"When this is done," Silas said, "I'm going to say 'I told you so' for a very

long time."

"When this is done," Saya said, "you will be too relieved to lecture anyone."

They camped the first night in a hollow of red rock, and Saya β€” pale,

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stubborn, refusing to admit the leg was singing β€” let Silas build the fire up a

little bigger than caution allowed, because there was no one left to be

cautious of except the dark itself.

"What happens after?" she asked, when the coffee was going. "After the

marshal. After Hale."

Silas looked at Dokan, who was cleaning his rifle with the methodical

patience of a man who intended to need it working.

"After," Silas said carefully, "you go home with your brother, if that's what

you want. The cabin's yours as long as you want it. The garden β€”" he almost

smiled, "β€” the garden's yours whether you want it or not. Somebody has to

tell me what half those plants are."

Saya was quiet a moment, looking up at the stars. "My brother taught me

those," she said, nodding at the sky. "He said the hunters put them there to

remember the way."

Silas thought of Lucy, six years old, asking him once whether the stars were

holes in the floor of heaven. He didn't say it aloud. Some memories were his

to carry, not to spend.

Then Saya said a word in her language, soft, and translated: "It means the

place you return to. Not a house. The place."

"The place you return to," Silas repeated, trying the shape of it, getting it

wrong, trying again while Dokan watched with the air of a man enjoying a

private joke.

She corrected him twice, gently, and on the third try nodded. "Close enough

that the place will know you mean it."

He thought about the promise then β€” not the grand kind men make standing

75

up, but the plain one he'd made in the shelter with fever in the air: then we

find out who's behind those traps. He'd kept it. Whatever came next, that part

was kept.

Juniper Flats showed itself at dusk on the second day: lamplight strung along

the main street, the assay office, the land office with its shutters closed, and

above it all, on the hill at the town's eastern edge, Ambrose Hale's fine house

with every lamp lit, glowing like a promise nobody out here could afford.

The marshal's office was a squat adobe building with a star nailed crooked

over the door. Inside, behind a desk buried in wanted circulars, sat a woman

in her fifties with a long gray braid and eyes that had seen every version of

trouble the territory could produce.

Marshal Ada Quinn listened to Silas's introduction without interrupting,

looked Dokan up and down once, and nodded at Saya's crutch with

something like respect. Then she held out her hand for the copied pages.

She read them the way a tracker reads sign β€” slowly, completely, missing

nothing. Silas watched her face change: the professional stillness giving way,

page by page, to something grimmer. When she reached the list of names β€”

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The Woman Who Chose Death Before Surrender

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